“Weekend” featuring Miguel is another beautifully produced song.
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Mac Miller traps out, “100 G’s in my jeans / I’m a genius”. I find this track to be intensely creative, not only through lyricism and beat, but how he transforms it. It starts as a near lullaby (With a hip-hop twist) promising his mother grandkids smoothly walking into the trap-like party anthem about making his first 100 grand. On the album’s first single, “100 Grandkids”, quality is all there is too be heard.
On the track “Brand Name” he makes this happen. He raps, “I work harder than anybody you know/ I’m done with tricks, don’t need no money to blow,” introducing the purpose of the album: he’s not just here to make the money anymore. There’s no better way to start off the day than the whip of the snare hollowed out by electronic bass and a sweet voice of a woman lulling your ears drums. By this I mean the sound of the album is so distinct that one could play any two songs back to back and the mesh would be symmetry.īeep, Beep, Beep. To best describe the transition from song to song would be as spectacularly even.
I see it as a mix between the up-tempo pace of Delusional Thomas and the more lyrically entrancing Faces (2014) mixtape. Let me make this clear, this is not the fun-loving, upbeat Blue Slide Park (2011) or his deranged alternate persona Delusional Thomas (2013). On September 18 th Mac Miller dropped the album that will change the perception of his artistic ability for years to come.
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